2012, seria 32 fotografii / fotografia cyfrowa

Looking for further possibilities of expression, the artist strikes with the help of painting photographs. The naturalism of gestures and theatrical light are expressive because Wodyński, as the director, prepares the set, puts the models into a kind of trance, and he “catches” the moments walking with the camera right next to his characters. The scream is no longer silent but moves the vocal cords and the skin and muscles tense in symbolic poses.